Archive | Music Teams

Posts directly related to those worshiping in the various positions of a music team.

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Finding the Right Key to Sing In

Chris recently wrote me to ask a question about the tension between congregational-friendly keys and leader-friendly keys. I have a upper-mid range tenor voice and though I can sing lower fairly easily, I find that if I transpose a song to a “congregational friendly” key the song loses energy, sometimes significantly. I want to serve the people in my church well and I am willing to put up with less energy if they are more comfortable singing along, but if the time of singing is musically flat, I wonder if it may be more detrimental to the overall “experience” (for lack of a better word) than to have people stretch vocally or sing in parts. …

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New “Glorious and Mighty” Live Recording

Last year, at WorshipGod08, we presented a choral arrangement of “Glorious and Mighty,” from the Psalms CD. Unfortunately, the recording didn’t turn out very well. But at this year’s Sovereign Grace Pastors Conference we sang the piece again and recorded it to 24 track. I thought it turned out much better. In any case, you can download it by clicking here, and get the choral arrangement here.  Here are the lyrics, based on Psalm 96: Majesty, Your glory is shining Brighter than the moon and the stars Marveling, we honor and fear You Above all gods Glorious and mighty, You’re awesome In beauty Joyful songs we raise Glorious and mighty, …

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How I Got Here

Ben, a 28 year old worship leader, is in the midst of some career decisions. He emailed me the following to me:   You seem to be actively employing several different gifts and passions. You’re sort of a hybrid preacher/producer/worshiper/blogger guy.  You are living outside the box – and that’s exciting to me. As I dream of what my life and career could look like, my most
 satisfying career would look a lot like yours does now. However, I don’t
really know how to get from where I am now to where I’d like to be.  I
 wonder how it is that you’ve come to the place where you are now: leading 
worship, producing albums of your church’s …

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How Loud the Worship Team?

Over at Christianity Today, John Stackhouse, Jr. expresses his thoughts on the volume of worship teams in an article called, “Memo to Worship Bands.” He gives five reasons why church music teams should tone down the volume. 1. Cranking up the volume is just a cheap trick to add energy to a room. 2. When your intonation is not very good, turning it up only makes it hurt worse. 3. The speakers in most church PA systems cannot take that much energy. 4. Consider that you might be marginalizing older people. 5. Musicians—every one of them, including the singers—are accompanists to the congregation’s praise. After saying that musicians “should …

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When God Comes to Church

As 2008 turned over to 2009 I was in the midst of reading When God Comes to Church by Ray Ortlund, Jr. I didn’t want the year to get too far before I shared some great quotes from this book that came out in 2000. The first half of the book describes what God does to bring revival (comes down, reinvigorates, heals, pours out his Spirit, raises up, and restores).The second half describes what we can do to prepare the way (return, seek, humble ourselves). Each chapter is an expositional treatment of a specific Old Testament passage. Ortlund begins with, “Revival is a season in the life of the church when God causes the normal ministry of …

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When Things Don’t Go As Planned

What do you do when in the middle of leading worship you have a train wreck? We had the opportunity to find out at the WorshipGod conference last August. Joseph Stigora, from Covenant Fellowship in Philadelphia, was doing a great job leading with his team. But as he started into a musical rendition of Psalm 96, things took a turn for the worse. The band was suddenly playing in two keys. At the same time. You can watch it for yourself here. While God commends the development of skill (Prov. 22:29), and laziness is no excuse for lack of preparation, there are times that even deliberate practice doesn’t keep us from messing up. But …

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What a Team Likes in a Stage Manager

I’ve mentioned the blog of our tech director, Dave Wilcox, before. It’s called “Undistract,” which I think is a great name for a blog devoted to the media and technical aspects of a church. Recently Dave shared some thoughts on how a stage manager can best serve a band during rehearsal. The relationship between bands and sound team members can be tense at times, due to misunderstandings, poor communication, and sinful hearts. That’s why I so appreciate Dave highlighting how one new stage manager, Kami, recently did a great job serving the musicians. If you’re in small church, don’t be thrown off by the term “stage manager.” Dave defines …

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Is Talent Overrated?

I just finished reading Talent is Overrated: What Really Separates World-Class Performers from Everybody Else, by Geoff Colvin. Fascinating book. Giftedness is a topic that I’ve thought about a lot. Are we selling ourselves short by assuming that we’ll never be as good a keyboardist, vocalist, guitarist, drummer, or whatever, as the people we esteem? Colvin begins the book by examining the lives of several famous “greats,” including Tiger Woods, Mozart, Jack Welch, and Jerry Rice. He says that most people think their greatness arose either from a) hard work; or b) talent. Colvin says neither, and uses scientific and anecdotal evidence to support …

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Ten Reasons to Share Musical Opinions Humbly

I’ve been musing recently about how we express our musical opinions. Why do we feel so strongly about songs, bands, and styles? And why do we draw conclusions so quickly? Nope. Don’t like it. That stinks. I can’t stand that kind of music. You like that stuff? Is there anything wrong with raving about the music/artists we love and being swift to trash those we despise? If we’re Christians, yes. Let me suggest ten reasons why musical forbearance might be good for our souls. 1. Being a self-appointed music critic is often just a sign of pride. Using outrageous or exaggerated words to put down certain songs, styles, or artists can be a symptom …

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Memorizing Great Hymns

Memorizing Great Hymns

Last month my church started memorizing great hymns of the faith. We’ll be memorizing a hymn a month for ten months. Ken Boer, who oversees music at Covenant Life, explains on the church website why we’re doing this: Memorizing hymns is one of the ways we can obey Scripture’s command to “let the word of Christ dwell in you richly, teaching and admonishing one another in all wisdom, singing psalms and hymns and spiritual songs, with thankfulness in your hearts to God” (Col. 3:16). We’re doing this project because we want to benefit not only from the songs written in our lifetime, but also from hymns that have served the people of God …

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Developing Arrangements Quickly – Band on the Run Video

Over the years I’ve tried to streamline our rehearsals. Part of it is knowing that folks have other things they’re involved in. Like being with their family. But the other part is that sometimes we just don’t have a lot of time to rehearse. So I’m always looking for ways to maximize that time. At the WorshipGod08 conference I led a seminar called “Band on the Run” that tried to address this issue, covering topics including context, feel, instrumentation, and structure. The seminar was also designed to help churches that were less familiar with arranging songs for a band. Below is a video of the seminar that lasts about 75 minutes. You can download a …

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Why Theology Matters to Christian Musicians

This past weekend I spoke at the Christian Musician Summit on Why Theology Matters to Christian musicians. When Christian musicians get together, our tendency is to assume we all have our theology down and we can focus on honing our chops, discovering new gear, and improving our techniques and methodologies. Or maybe we think that theology isn’t that important. Whatever the reason, I wanted to make clear that even at the Christian Musicians Summit, theology matters. I started by saying that theology is literally the “study of God,” particularly as he has revealed himself in Scripture. It includes not only studying the Bible, but understanding …

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What is a Successful Christian Musician?

This past weekend I had the joy of speaking on various topics at the Christian Musician Summit in Overlake, WA, near Seattle. It was a very encouraging time, and I met quite a few people who were currently using Worship Matters with their worship team. Great hooking up with old friends and making some new ones. I mentioned to a few folks that I’d be posting my message and workshop notes on my blog. So that’s what I’ll be doing over the next few days. In the opening session I spoke on “What is a Successful Christian Musician?” I chose that topic because I know that when we attend large conferences led by highly skilled musicians, we can be …

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Listening to Music for God’s Glory

Two weeks ago, I had the privilege of speaking to the parents and youth of my home church on the topic of listening to music for the glory of God. The parent/youth ministry is currently discussing the book, Wordliness: Resisting the Seduction of a Fallen World. My message was something of an adaptation of a chapter I wrote for the book, called “God, My Heart, and Music.” I started out by saying God gave us music as a gift to direct our attention to him. In the Bible, music is connected with worship, weddings, funerals, work, play, and war. The basic elements of rhythm, melody, and harmony aren’t inherently evil or sinful. Non-Christians can …

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How Do You Teach an Inconsistent Melody?

A friend recently emailed me and expressed a dilemma he was facing when teaching new songs performed by an artist who varies the way he or she sings the melody. My friend asked: When do we go with the lead sheet, and when do we go with the CD melody?  And when do we go with what is simple and consistent and when do we go with what is sung on the CD? I’ve faced the same dilemma. While I’m grateful for many of the new congregational songs that have emerged in recent years, they’re not always sung in a way that makes it easy for a congregation to pick them up. Phrases are elongated in one verse and not the other, melodies are changed, and sometimes …

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